Sunday, December 12, 2010

Serenity

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

Living one day at a time;
Enjoying one moment at a time;
Accepting hardships as the pathway to peace;
Taking, as He did, this sinful world
as it is, not as I would have it;
Trusting that He will make all things right
if I surrender to His Will;
That I may be reasonably happy in this life
and supremely happy with Him
Forever in the next.
Amen.


Officially I am not an addict. This is because I have cleverly avoided the things that people notice others being addicted to, such as booze, smokes, drugs, video games, sex, rpg, online forums, gambling, etc. Not that I've never done "x" from said list, just that I am very careful with those types of things. I'm careful because I am in fact an addict.


Obsessive.

And I've been trying to let go of my white whales. Because I've really been coming to terms with the dangers of whaling. Did you realize they get in these tiny little row boats with pointy sticks and chase something so large that even when it's dead it nearly flips the ship over when tied to it? Stupid.


So, trying to live in the moment, God give me serenity to let go. And in failing to give me serenity, pry my hands off these lifeless corps' of whales so I don't sink the whole ship. Let's live in the now.

Thursday, December 9, 2010

Cocktails and Broken Hearts- Jack Vettriano

December

I missed November. I have been posting once a month (if that) for ages. I am a blogging slacker. I'm also in a goal setting mood tonight. So I am going to try to write more often.

Review Wicked:

Last night I went with a coworker to see Wicked. It's an off Broadway musical being performed in the Miller Auditorium from December 1-12. We took a gamble and made the drive without tickets assuming that half way through the run time, on a Wednesday night, the crowd would be light. We were wrong.

The show opened at just a little after 7:30. Having read the first two books in the Wicked trilogy and heard many of the songs from the soundtrack a few years prior I was familiar with the story. Within the first song, I was impressed with the content expressed both in song and the dance. The set was unbelievable. Even from the grand tier, where we were seated, the richness of everything sparkled through.

The two songs which made the greatest impression on me were the songs "Popular," done my Galinda and "Wonderful," performed by the Wizard. Both songs dealt with the topic of image and how a person can create an image for themselves as well as how public opinion can create a person. They were humorous, often causing a roar of laughter to catch through the crowd. The cast felt as though they enjoyed themselves and the audience was thrilled to be let in on all the fun of learning how to toss their hair. "Toss, toss, heeheeeheee."

The show is a treasure both visually and in content. If you have the chance, take a whirl of an adventure and try to get tickets for yourself.

Sunday, September 26, 2010

Kiss Me There



The first challenge is the desert. Narcissism, vanity, show, pride, oblivion, self interest, selfishness, unseeing and uninterested eyes. Overcome the vast miles of nothingness that dismisses him as he travels them. He must be willing to look through empty sands that say, “We care nothing for you, if you come or if you stay at home. This place was not built for you, this place was built for me and me alone. Your comfort and ease is not a consideration, the challenge was not placed here for you to endure. This space will go one being what it is as though you never were.” First he must travel through and believe there is something. I want him to kiss me there.
Once the deserts have ended there are the gates. Walls of fire, rage, hostility, violence, and death. Here he must past through, fight, bloody himself in my furry, here he must show strength, tenacity, endurance, and power. I will breathe fire, from my heart spears will pierce him ever time he reaches for me, my fingers will pull the trigger time and time again. He is my enemy, a danger to the perimeter of my world, a threat to all that is me. At the gates he must hold his ground and in my fierce rage I want him to kiss me there.
Beyond the gates lie a garden. Always spring, everything is fresh, fragile, and new. My insecurities dash about like rabbits, my fears, anxieties, and hopes tremble at the rawness and vulnerability. In this place he must watch his boots very closely, each leaf, every blade of grass must be handle with care, dedication, and utmost devotion or all will die. Even in his weary, wounded state not a single drop of blood may spill on the soil here. The innocence is to be preserved. In my gardens of inexperience, I want him to kiss me there.
Coming in from the garden he will wait in the library. Each wall filled, ceiling to floor, rows and aisle of books. The texts are filled with stories from my life, memories, histories, legends, and myths. There lie the building blocks, each text book I’ve studied, theory I’ve pondered, scene I’ve seen acted out scrawled on the pages. Handwritten, typed, penciled, bookmarked, the files are listed of my family history, dating back through my genetic make up centuries ago. Every scrap of paper I’ve scribbled on, the nonsense, the profound, the childish, the games, the reminders, the shame, and the pride. Every moment of education, culture, and understanding. He must know them all. Every line. He must contend with them, trade them for his, deposit his wealth of books and know how they merge to form one beautiful body of works. In every text, line, and word I want him to kiss me there.
With this new found knowledge perhaps he will want to step outside. Open the backdoor and there is a spinning colliding mass of space. Darkness and light spiraling wildly about. Here is God. My personal God. He must open the door and meet the chaos and logic of my God. As he steps out back to breath deep he must gather the complete and total size and complexity as well as the simplicity and beauty of my God. The breath of relaxation should become a gasp of awe. In that moment he must understand all of my faith, fears, and struggles with this deity. The massive mess and lengthy saga that has spread its way through my life, swallowing my being whole just as the back yard threatens to swallow the entire castle. He must understand, he must fail to understand, he must be inspired and dreading and worshiping and fleeing and he must bring his very own saga into that moment. To this God he brings the deserts from which he entered, the fires at the gates, the tenderness of the garden, and the knowledge of the library, as his very own. In this moment he asks for help. At the feet of God I want him to kiss me there.
When he gently shuts the door behind him he should walk into the living room. Here we will sit, recline, and be still on the sofa. The doors will close, silence will trap us, lock us in, being to suffocate me. No words will be spoken and time will pass slowly. Shrieks, sobs, and anguish will emanate from me while I battle my own demons in this stillness. Terrors will pass my face and body from places no knowledge or understanding can reach. Nothing will bring him into these battles, these silent horrifying battles of the soul. In these moments he will battle his own helplessness, a sense of futility, the pain of watching a loved one suffer while immobilized. His mettle will be tested in staying, remaining immobile, not lashing out while the doors stay locked. Instead he will hold a struggling body, pray for the ravaged mind, encourage in everyway possible and at the end he will not bare the grudge of having seen such a time. In those moments of darkness, I want him to kiss me there.
When the locks fall off and the clouds roll on their way I will pull him into the kitchen. Here the mood will lighten. The music fills the space, dancing and spinning, I cook and serve and play. Dish after dish of the best foods are served, his favorites, meals he’s only dreamed of, each with an outpouring of show. Smiling and laughing there is a parade that I perform, each mask and it’s purpose explained, each one removed. Gems and glitter, lights and noise, chaos and beauty, dancing about him. Drinks, food, merriment. I bring the carnival to his feet, my joy to serve him, to love him, to create magic in front of his very eyes. Here we share the heights of friendships play, the magic of children, the belief in Neverland. In the rollick of good times, I want him to kiss me there.
After all of this, after he has crossed my deserts, walked through my flames, approached my fears, read my stories, met my God, held me in the darkness, and ate at my table, then I will take him into my bedroom. He knows me completely, has kissed my every scar, has loved my every face, has stayed through every kind of trial and joy. He knows me and loves me. In my bedroom, I want to kiss him there.

Monday, July 12, 2010

Umbrellas and Blues

$14.99. That's what my last umbrella cost me. Back in the spring of 2007 I was away from home on average 16 hours at a time. Life like that means the bag on your back is your bedroom, closet, and kitchen and the umbrella you carry is the roof over your head.

My roof was a wooden handled, three foot long, black beauty. With a steel tipped point it doubled as a walking cane and twirling rod when the skies cleared. Classic beauty and perfect pragmatism, I had style and elegance in hand to counter balance the soaking wet second hand sneakers and mud splattered bluejeans.

Umbrellas are my dreams lately. Even while awake the image of that open umbrella resting on the floor... are these the storms? That temporal roof is a comfort in a transitory world. I'm not trying to convey some big message, there are just images I can't shake and my black umbrella has been following me around in my head for the last week. I'm not Mary Poppins, I don't sing in the rain, I'm not found by the gentleman waiting to save the wet damsel, so why is my umbrella stalking my brain?

In other news, Cindi Lauper has a blues album called the Memphis Blues. I know, right? That's what I said too. Anyways, I heard it on the B&N playlist, reviews will follow once I get comfortable with the album.

Friday, June 25, 2010

Steel Compartments

The elevator was a normal standard kind of of transportation. In all of the regularly ways it was completely impersonal to try and limit the need for the persons it transported to be any more personal with each other. An elevator stresses the need for the anonymous. Easy listening jazz music playing just above the roar of silence, keeping wagging tongues and nosy neighbors for jabbering on during the brief interlude between the floors; non committal colors on the floor, tans, browns, beige, mauve, not ugly, not interesting either; steel walls, steel ceiling, steel lined hearts. Welcome to your ride.

We piled in at the bottom. Just an ordinary elevator, in an ordinary city, somewhere in the northwest. Faces you'd never recognize when you got out. Mine included. Going nowhere, just up, all of us just going. There were nine of us in the small moving room. Crowded, but unwilling to acknowledge each others presence. Taking cues from our world, our lives, our culture, we were as nondescript as our portable closet. Until the accident.

Somewhere around the fifth ding, indicating another floor, everything went to pieces. For twenty, maybe thirty seconds there was nothing at all. In that time I am at a loss, I know that's the climax, the moment they'll all want to record when they tell the story, but those are the moments I've lost.

What I do remember is finding my way out of the shock. In the mist, in the grey filth suddenly we weren't so irrelevant to each other. There was debris everywhere, blood, dust, tiny broken pieces of things I didn't even realize were in the elevator. Looking around, seeing before I began to hear, I noticed how much stuff there was. Stuff is the best word I can find. Plastic pieces, shards of glass, buttons from clothing, electrical wires, all the little things you forget about. Then I began to hear, screams of anguish from those silent mannequins who had boarded moments before. No longer we were individuals ignoring each other for all the polite and social reasons, we now felt each others every emotional and physical pain. We came together some time in those few moments I lost. With the dust unsettled still these were my brothers and sisters.

We tried to heal each other, save each other, comfort each other. Together we reached through our broken surroundings trying to communicate with the outside world. What had happened? There were no answers. Only chaos. It wasn't an elevator of nine, it was a train of 500, maybe it was the whole world. Our steel lined hearts had been shattered.